Parasite director focuses on humanising the dysfunctional family at the heart of a story that avoids obvious villains
If you thought a black comedy about a toxic, mutated monster on the loose in Seoul would be a complete escape from your reality, think again.
Before Parasite, Korean auteur and Oscar-winner Bong Joon-ho released his first crossover hit with 2006’s The Host. An uncommon genre in his home country, Bong has said people initially laughed when he first decided to make monster films. But in spite of the scepticism, The Host became the highest-grossing Korean film that year and a surprising American hit, garnering fans such as director Quentin Tarantino.
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